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Creativity Coaching for Musician Composers Singers

9/1/2015

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Music is a special art form, sometimes our body is the instrument; for others the instrument is in the form of a tool, an extension of our Inner self, (the bass, sticks, flute, keyboard). Whatever your instrument, skill level, training level, or musicianship level, it is your art that is primary and yourself that needs to be ok with making it. Whether you work acoustically, electronically, with midi or with sheet, solo or in bands or ensembles, creativity coaching can be helpful. I know as I am a musician, songwriter/ electronic composer who is just like you making her way in the world. I was struggling with a lot of inner turmoil and found Eric Maisels work, (The Van Gogh Blues, Fearless Creating, Coaching the Artist Within), world renowned Creativity Coach. I was so impressed I did the beginners and Advanced creativity coaching training programs with him and have studied creative arts therapies and Bachelor Creative Industries Hons- Music Major

HOW CAN CREATIVITY COACHING HELP ME?

We will explore the what, how, when, where, and why of the creative life as it relates to musicians. Whatever you need help with is what we will tackle. If you are struggling, need a mentor, a sounding board, a confidant, a projects advisor, a creative hand, a creativity coach can fulfil all those functions and more. Together we can look at your musical life and what is getting in the way of you living your dreams. From physical and medical issues, (which I have a lot of personal experience with) to mental emotional problems, to spiritual matters or resource based -worldly issues. Issues of Self identity, issues of meaning and purpose, of skill, or body.  Performance Anxiety and strategies to overcome it.

For eg, your latest song is doing your head in, you just can't get the arrangement right and you need perspective after working on it for three weeks. A recent accident or Illness has sidelined your plans and you are having to find new ways to do what you used to so easily. How do you overcome the resultant frustrations and anger that can come with restricted mobility or hampered movement, or chronic fatigue?

You haven't performed in a while and need help to muster the courage to get back out there but don't know where to begin that journey.
Vocally you are ok, but your body is giving you a hard time because of illness or anxiety and you are struggling to get past the frog in the throat or the tears that come. Every time you want to sing you become overcome with emotion.

Self sabotage patterns keeep rising up and preventing you from making any progress, the critic within killing off any new work before it has a chance to emerge.

A littany of Inner doubts and insecurities prevent you from committing to your journey despite it being your one great love.


At school you were told you were no good, but now you want to give it another go because deep down you know you can do it and have something special to offer.

Musicians  often need a different sort of coaching,  with the issues that relate to their craft. My goal as  your Coach is to assist you to live the creative life of your dreams through 1 on 1 work, Coaching by correspondence viia skype , email or in person. I also have a correspondence course that may help structure your work.

ABOUT ME

I am a fellow multi modal artist just like you. I have trained in Transpersonal Counselling and Art Therapy,  Creativity Coaching with Eric Maisel, and a number of other things. I am a singer Songwriter /Composer,performer, and recording artist , I hold Bachelor of creative Arts Industries Music and performance majors, Hons in music composition .I would love to help you be all that you can be, because tit is a tough and lonely road . I am also a contributing writer to Erics World Saloon Section on his website.http://ericmaisel.com

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SONIC ORCHESTRATION

9/1/2015

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© Catherine Meeson 2012-2015

Old blog 

We need to move beyond the paradigm of the traditional composer whom in their day and age gave voice to a Sonic Domain via the Orchestra. Expanding our definition of composing to include not only conventional Instrumentation and timbres but that of the global sonic reality, both the human domain and  non human worlds. The world is the nosiest it has ever been ( well maybe  next to the mountain building volcanic past). A multitude of solo sonic seekers stand poised daily, recording sounds and offering them up for Creative Commons usage to be sonically orchestrated.

Not all of us learnt to read or write music.

Before notation was listening and experimentation. Before notation was master and disciple in some cultures.

Before masters  were many voices, and soulful utterance, experimentation and human ingenuity giving rise to early instruments, voice, drums, flutes and the spaces in which the audible was heard which were just as much part of the sound, as the instruments themselves.

Culture and place diversify. Time and tide cross fertilize . The results are a rich sonic array of possibilities for the 21st century in which the “sonic orchestrator” (CM), can represent concepts, themes, ideas, abstractions. We can also embody knowledge and codify universal laws to be transmitted regardless of cultural origin via sound.

A Sonic Orchestrator makes sense out of cacophony and creates order out of chaotic voicing’s. He / she allows their palette to expand purposefully  and  intentionally signalling  a creative adaptation of the old guard; not to replace it, but to synthesize it and with it, to integrate and offer more. To build a bridge between the worlds. The ancient worlds, the European classical world, the modern rock and pop world, and the electronic worlds of sample and  synthesis. The Sonic Orchestrator may also attend to the  model and ethics of the ancients regarding the use of sound, knowing  its effects.

I believe we have sound designers working alongside composers but  not necessarily one and the same,. Maybe they are sometimes in the motion picture world. How fascinating it would be to be part of a team like that. Sounds designers work on special sonic effects and recording simulations of real world things or out of this world sounds producing those mind bending signature sounds that get etched in the collective memory as the “Pod racer of Annakin Skywalker for eg.

Eg of the Master Sonic Orchestrator John Williams at work, one whom has influenced the deepest recesses of my being with his rich dramatic scores; that even if they were not composed and synchronised with moving image would stand alone  creating their own synaesthesia experience.

https://www.youtube.com/watch?v=qSoFTRwkfbA

The Sonic Orchestrator is not limited to score. The tools of trade now are not only instruments, but include all technology, digital synthesis and computing power, giving us second and third brains to fulfill our vision and stretch our sonic boundaries, way out there into the vastness of space. Some level of music theory is advantageous but not even necessary any more. Studies have demonstrated that our neurological wiring process and acculturation occurs  within the first few years, after which time we have absorbed the fundamental sonic, the tonalities if you like, of our cultures, and the rules of its cultural musical expressions. This encodement goes beyond training, it becomes part of our gene pool, literally getting transmitted to the next generation for potential nurturing and awakening.

So the Sonic Orchestrator is not bound only by ones place and culture of origin. He or she is at ones best when adaptable and flexible to allow the influences of other systems to be internalized and comprehended, allowing a greater creative fertilization potential to occur. The ancient mode can be transplanted using contemporary voices, and real world samples, or conceptual abstract synthesis and design to create  a representation, sonically,  audibly and psychologically, of an event space occurrence, or a moment indeed of time and space itself. Sound is an expression of time and space.

Representation is nothing new to the worlds orchestrators, they have always sought to portray story, event, myth, feeling, mood, time, idea, etc. There are no limits in true composition. I really do like the title of a Sonic Orchestrator, it is much more aligned with the times, than just musician, therefore I feel I fit the title well with my playing, but then so do we all.

Some of my favourite Sonic orchestrators over time are John Williams and  Tangerine Dream , but today I leave you with a link to some of my favourite conceptual orchestrations.

Gustav Holst- the Planets

https://www.youtube.com/watch?v=AGGlL1wexQk&list=PLB2D2981DD8FC725F

Tangerine Dream- Alpha Centauri 

https://www.youtube.com/watch?v=Bi2Oj-P70NM

Jean Michell Jarre- Oxygene 2 Live 

https://www.youtube.com/watch?v=x8dqzTl0vUI

Maurice Jarre, Jean Michelle's father wrote the Soundtrack to the Epic Laurence of Arabia- Theme piece

https://www.youtube.com/watch?v=8i1mI-P9Z3s

Enigma Live- Gregorian

https://www.youtube.com/watch?v=vI0O3-7iPE0

 

WHEN WORDS FAIL INSTRUMENTS SAVE THE SOUL xxx Catherine

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NURTURE THE MUSICIAN WITHIN YOUR AUTHENTIC VOICE AND WRITING STYLE

9/1/2015

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NURTURE THE MUSICIAN WITHIN- YOUR AUTHENTIC VOICE AND WRITING STYLE

© Catherine Meeson 2010 & 2015 


There are many ways we come to music. Some receive lessons from childhood, some take up an instrument of their own volition in their teen years, and some others decide in adulthood they always wanted to learn. Some couldn’t leave the pots and pans alone as children. Some cultures have music ingrained as a big part of their community: for  some it is something that everyone partakes in, for others it is for the few. If we are all born with the same potential, one could claim it is a matter of the learning of skill and all training. But are some born with a more natural inclination, a more resonant disposition, a brain more able to synthesize musical pattern and relationships? Who can really say? What if they are more adept, the soul knowing from an early age what it wants to do?

Whether adept, savant, slow learner, sheet music virtuoso, ear oriented learner, experimenter, all have a master musician within them awaiting nurturing. The only difference that makes someone a good musician is time and effort. Someone who knows the essence and form of music from such a deep inner level, who comprehends relationships beyond rational knowledge. One  whom is able to communicate and play from an intuitive level, attuned, resonant, unafraid of making mistakes. One able to know beyond ones instrument, able to write, compose complete pieces whether on sheet , by analogue equipment or electronically with software.

So what is ones Authentic Voice and writing style?

The 20th century saw a proliferation of immense diversity with the electronic age dawning and technologies infiltrating all spheres of creative life. Music has expanded  beyond folk music’s and traditional music’s of the peoples, or of the classical European era. It is in the realm of the everyday. Manufacturing and Industry has led to the masses being armed with instruments of differing quality. This has given birth to the desires of successive generations of youth, feeding the urge to express, with the Age of Mass media and radio and now the internet proliferating. Migrations of people across the globe and the technologies of the 21st century opened the door, to the worlds music, the worlds sounds and the worlds instruments. A cross fertilisation of sounds, of styles, melodies, and  rhythms; ways of using the voice, types of scales, and harmonic patterning. People took up the instruments of other cultures and the medium of money has allowed this. The age of transport and communications means there are no boundaries anymore, and if they do remain it is only within our ear and comprehension.

People learn as they always have- by ear, or from teachers, books and pictures, other from sheet. Now new generations are learning off You tube and online tutorials. The exposure to the sounds of the world, is ever increasing the ear of the listener, ever appreciating this richness and sonic diversity. No one can disclaim the fact that music has become one of the bedrocks of popular culture. We make machines to deliver it in our vehicles, to carry it with us. We like to have choice about our sonic environment in the ever increasing cacophony over which we have little control, called the masses and the machinations of progress. We are presented with sound and music in every shop, for it is used to sell, to entice, amuse and attract . It is a tool par excellence in  arresting attention. With sight we can choose to look away, music to some degree we can turn down or off but not always. Not when it is thrust upon us by others who have little regard for peace and personal space. It booms out of cars, houses, shopping centres, Noise is everywhere. Even when we turn it down it still travels as a wave through the environment, with lesser wattage. Now there is an ever increasing presence within health centres, doctors, dentists etc even some work places, using Muzak to promote a variety of desired consumer/ clientele ends.

However this article is about Nurturing the Voice and methods of the Musician within. Whether trained or not in the formal sense we all have  a master musician within. At birth we utter our first sound. Our pre language sounds are full of musical patterning and potential, they are known to be more archetypal type sounds common to all regardless of culture. Interval patterning is common, pentatonic  pre empting is common world over. If these are sounds we can each make, then this is where the potential lay for each to develop this ability. The mother is a bestower of music, with lullabies and soothing melodies and songs. A Composition in the simplest sense is not much more than a few patterned voices, or sequences of sound, responding in relation to each other. They are accented differently by timbre, rhythm, intensity, dynamics, and placement within the whole score. A master musician learns the basics and then gives Self free reign improvising and exploring. The individual  plays,  the inner ear listens and selects. Each song or tune is a new relationship,  a new discovery,  a new way of relating, integrating organising and arranging the sonic elements that make up the song, score, soundscape or  piece. Whatever we want to call it will depend upon it’s genre or style and it’s intended audience. We have systems and categories for everything, often they get in the way of simple appreciation of what is.

Stylistically certain patterns are represented and adhered to by practitioners of the style and genre. Obvious examples being the distinctions between blues, jazz, classical, rap., and more obscure sounds of Industrial or nerve wrenching Thrash Metal. There are the ‘rules’ of that form, of tempo, of keys, scales, rhythms, lyrical contents and patterning,  that govern the work.

The Master Musician absorbs all this and moves beyond it. For they listen from within, it becomes part of the collective  musical unconscious,  that they have absorbed much throughout their life to now, to be able to output their own stylistic concept of 'a music'.

Everyone works differently- some hear and work it out, some experiment and improvise, some intend specifically, some work randomly chopping up bits and reassembling. Some capture spontaneously then craft, or not. Some seek to recreate or represent the work of another, or use formulas. All methods work, all are ok.

Whatever your methods- the authentic voice and writing style that is yours is what comes to you naturally. Some need a pointer in the right direction when beginning some guideline.. I certainly do every now and then, as my foundation is wonky. Others just begin, confident enough within themselves to learn as they go along. What is natural might not be easy, but often is. It is the voice that develops over time, a certain style with elements that can be heard to be distinctly yours. The way you express rhythms, the melodies, harmonies, the way one sings or plays, the lyrical content, the elements of form, the instrument choices that contribute to the sound. Be yourself, don't mimic others. People respond to authenticity.

Some work on paper, some at a keyboard, some must have a piano, affects, a drummer, a private room, a computer or virtual instruments. Some are pre-madonnas, some are relaxed. Some write alone, some work best with others, with collective input. We are each a master musician  in embryo form awaiting the spark, the fuel to start our own internal creative process. Once it is lit, we must flow, we must follow, we must tend. An authentic voice cannot emerge if neglected, visited only every now and then. The authentic voice thrives on attention. Another aspect  in my opinion, is not about technical proficiency or skill, It is about being real with ones self and what one does. There are musicians and composers who are not technically brilliant, who’s voices were not beautiful yet we love them for 'that unique spark that they are'. They didn’t necessarily have training. It was their style, their voice, we responded to not the coarseness of their voice, For eg Bob Dylan, Folk singer, his voice was not pretty, his playing was simple, it was a communication with us all, from who he was about the things he cared about. He presented passionately what he felt strongly  about. Such is the job of The Musician within us, representing his or her Authentic  voice and writing style. 

For the master musician it is an expression of what is within. It is indeed a job, though not considered such by the culture around one, unless it is easily and successfully financially co-modified. Many do not make money from their skill, but they are Master creators just the same. Hours and weeks and months are spent crafting ones work to completion. But there are times when for whatever reason the Musician within encounters difficulties, blockages, fears, frustrations or anxiety. Loss of passions, or capacity and this loss drastically affects ones musical capacity and level of proficiency. Whatever happens it is the stuff of life, we can only do what we can do with what we have got at the time. Music is a record of the times. Musicians record the times, they represent culture, belief, event, feeling and thought in sonic form. Musicians are the Minstrels of Soul. They must listen first to within, or no music will emerge into the world. It all starts with a desire......an urge to life, a purpose expressed in time.

Having read this article, if you resonate as a Musician but are encountering troubled waters, Creativity Coaching may help you. I encourage you to get help, maybe from me, visit the contact form page and keep going for the world needs art, the world needs authentic voices, real musicians. Congratulations on your authenticity, never ever give up. If you would like to work together there are options, in person, via phone, skype, out and about etc. Ask!

Regards Catherine Meeson 2011 & 2015


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    CATHERINE MEESON

    A passionate human being and avid sound current devotee

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